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  Home> Entertainment> Couch Potato> 194
 

COUCH POTATO CHRONICLES
VOLUME 194
BY JIM MURRAY


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Seen & Noted This Week
(VIDEO) LAKE BOAT ( HEY, MAMET, YOU OWE ME SPUD)
(BIG SCREEN) X-2 - (NO SPUD 4 U)


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"FEAR IS THE MIND KILLER"
Frank Herbert
Author--Dune

In the great science fiction novel, Dune, the hero, Paul Atraedes must prove to the world that he is indeed, the new Messiah. In order to do this he must pass a test. He must stick his hand into a rather ominous looking black box. That's it. Of course, it's a lot trickier than it seems on the surface, cause like, who knows what the hell is in that box? The world was at war and it could have been anything. It could have been a poison needle or a scorpion or God knows what. So Paul sticks his hand in the box and it is one of the great moments of science fiction suspense, and all the while he's chanting to himself. "Fear is the mind killer...Fear is the mind killer." And believing that is what helps Paul conquer his fear.

There are times in the life of every Spud out there, when things get scary. The world is becoming a scarier place all the time. With super bugs and terrorists who look like our next door neighbours with the news generating fear to keep us watching and the economy constantly balancing on a slender thread. It's easy to be afraid. It's easy to fear the worst. It's easy to wallow in despair. But then nobody ever said this life was going to be a walk in the goddam park every day.

Last week the Princess of Pain called from Montreal, where she is currently hanging her crown. We talked for a few minutes. I was feeling a bit down because business is slow, or should I say sporadic--nothing we haven't experienced before, but it's uphill work and it's fatiguing in that weird way that uphill work can be. But I listened to her talk about all the stuff she was doing, taking French lessons, applying for a grant so that her and her bud Lyla can get their TV show going, looking for work in the local bistros, and she sounded so full of energy and life and hopefulness and fearlessness, that it kind of blew my mind a bit. When I hung up the phone, I went outside and sat on the back steps of Spud Central and thought about that for quite a while. And then I realized one very simple thing. Fear really is the mind killer and that fear can sometimes force you into trying too hard, when maybe all you really have to do is take a deep breath, relax and simply find your rhythm.

FEAR IS THE SHOW KILLER

The other night, the Wife and I were watching the season finale of The Guardian. Now The Guardian is a great show. And it was very high on my list for the Big Kahuna of the 2002-2003 season. As was 24. As are both CSI and CSI Miami, Without A Trace, Alias, The West Wing, The Agency and NYPD Blue. With the exception of 24 which still has an episode or two to go yet, I have been thinking about which show is the most worthy and, you know what? It comes down to my theme for the week, which is fear.

Let me explain.

You know I have been going on about how the reality shows are threatening the existence of scripted shows out in TeeVee Land. This isn't a new threat to anyone working on any of the aforementioned shows or any scripted show on TV for that matter. It's a real part of their day to day lives, especially when you're spending a million, maybe more like two, to shoot each episode and your watching your ratings get devoured by a seemingly brain dead audience out there who would rather watch some scruffy-assed homeboy singing a Tom Jones song (that you never liked when Tom Jones sang it) than something considerably more entertaining. Fear is the mind killer...So what do you do? You work and you work and you push and you cajole and you twist arms and you bend minds and you assert your will and you lose plenty of sleep and you force the adrenaline level of your show right up off the charts, because, fear is the show killer or so you think. But your fear is forcing you to take your characters where they have no business going. And then a funny thing happens. Something you maybe didn't count on. All of a sudden your credibility comes into question with your hard core fans.

Example 1: In 24, at the end of episode 19 or 20, the Kiefer Sutherland character, Jack Bauer is tortured until his heart stops. Poor Jack. He's dead. Gonzo. An ex-Jack. The very next episode which, in the case of 24, is one hour later, Jack's back in action, kicking Muslem extremist ass and seeking out the terminating bad guys with extreme prejudice

Just like the pre-dead Jack used to. Sorry, but I lost it right there.

Example 2: The Guardian. The two main characters played by Simon Baker and Dabney Coleman, are going to the opera and looking for a parking place. When they find one somebody slimes in ahead of them. The long and short of it is, they are both a bit frustrated about all the shit that's happening to them in their life in Pittsburg, but do they go to a Steelers game and shout their guts out to relieve the pressure, like normal red blooded American lawyers? No, they proceed to open a can of whup-ass on this poor bastard who stole their parking place and leave him for dead. These guys are lawyers for chrissakes. It's so out of character it's unbelievable. They can't do that. But fear is the mind killer and the fear is that if you don't leave your audience with a slam bang end of the season dittie to think about the audience, come next season, will all be tuning into the Mr. Personality II instead. That kind of thinking is so whack. I wish the creators of The Guardian had seen the Wife, wwho absolutely loves the Guardian, as she rose up off the couch and skulked around Spud Central muttering "No, No No !!!", as she lost it for them. Trust me when I tell you she doesn't care enough about anything else on TV to do that. Fear is the audience killer.

Now we're not going to stop watching either of these shows. But both The Wife and I will never be able to look at them with the same level of appreciation and admiration we had before the people who make the shows got frightened into going too far and basically taking the show out of character.

I know there's a lot of pressure in the production industry. But when you pull boners like 24 and The Guardian did, something that a) does nothing but alienate your existing fan base and b) does nothing to really dissuade the brain dead idiot from continuing to watch the reality-voyeuristic-flavour-of-the month-on-the-other-channel, you end up doing your cause much more harm than good.

At a certain point we have to accept that the majority of younger viewers out there are just not all that bright. These are people who invented extreme sports. Who think things like safety helmets are uncool. And who regularly kill and maim themselves imitating stunts from Jackass, The Movie. They are operating on far fewer brain cells than the rest of us. A lot of them can't watch plotted mystery or dramatic shows because their tiny little peanut brains can't keep up.

You have nothing to fear from these people. Because they really aren't in your target audience anyway, especially if you are making any sort of an intelligent show. What you do have to fear is the backlash you can create with your existing audience when you take your show over the edge in an attempt to create controversy which you think will reach and grab the people watching your competition.

For a lot of you Spuds out there, this is marketing one oh one and it always seems strange that something so basic seems to get ignored more than it gets paid attention to, but there you go. It's a C plus or B minus show business world at the best of times.

Next week, we'll have the network show summary and the Big Kahuna award. That should be a hoot. Sorry there are no formal reviews this week. There just hasn't been a lot of stuff worth talking about. We rented this movie called Lake Boat, which was based on a David Mamet screenplay and directed by Joe Montagne and it was just awful. It droned on and on and on about stuff that few people would be interested in. I guess it would be rated below No Spud for you. Something like, "Hey, Mr. Mamet, you owe me one spud and the thirty minutes of my life I invested finding out that you are one boring screenwriter these days. What happened? You used to be interesting. We also went to see X-2 the sequel to X-Men and it was full of cheesy effects and all the same stuff that was in X-Men, but you know, it was basically a pretty crummy movie too. I really don't want to waste time on reviewing these things any more, so we'll just have to wait for some good ones to come along.

Hasta La Vista, my friends. Tune in next week for the year end TV summary and the coveted Big Kahuna award.
 
   
 
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